While Freud gets referenced often in discussions of this film, of equal importance is Hollywood cinematographer Gregg Toland, whose collaborations with directors like John Ford, Orson Welles, and William Wyler in The Long Voyage Home, Citizen Kane, and The Best Years of Our Lives greatly impacted Olivier and his cinematographer Desmond Dickinson. Olivier was certainly interested in laying the subconscious of Shakespeare’s characters bare in the film, but it is the way that he does this, how he shoots and frames the action, that ultimately makes this Hamlet both satisfying and occasionally frustrating. Psychoanalysis had edged its way into popular consciousness by the middle of the 20th century, with filmmakers like Hitchcock directing his ode to head-shrinking, Spellbound, in 1945. When Olivier stages a climactic argument between Hamlet and his mother Gertrude, with the two writhing and struggling on her bed, he isn’t insinuating anything. character is repulsive in its conception, based on a self-dislike and spirit of disintegration.” Lawrence’s attitude towards Hamlet is extreme, but in describing a poster-boy for self-loathing and neuroses, Lawrence is not far removed from the 20th century project of aligning Shakespeare’s plays, particularly Hamlet, with the work of Sigmund Freud.įreud’s influence on Olivier’s Hamlet is well-documented and highly evident to viewers even casually familiar with Freud’s writing.
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Lawrence said of the character: “I have always felt a strong aversion from Hamlet: a creeping unclean thing he seems…. Since then, he has been the favorite son of the literary and theatrical set, with every critic worth their muster penning an essay or book on Hamlet, and every actor waiting for their chance to cut their teeth on the role. The “man” at the center of the statement, the young prince Hamlet, has posed many problems for critics, theatre directors, filmmakers, and actors since he first appeared on the page and stage around 1600. Despite the simplicity of this statement, upon closer inspection, it proves to be more question than axiom. Laurence Olivier opens his 1948 film adaptation of Hamlet with these words, the only ones heard in the film that do not belong to William Shakespeare’s play text. “This is the tragedy of a man who could not make up his mind.” A screening of Warner Bros' 1935 adaptation of A Midsummer Night's Dream will screen as part of our Olivia de Havilland retrospective on Sunday, November 13. The screening is one of two adaptations of Hamlet presented in conjunction with the Chazen's presentation of the First Shakespeare Folio through December 11. A 35mm print of Hamlet will screen at the Chazen Museum of Art on Thursday, November 10 at 6 p.m. & Mrs.This essay on Laurence Olivier's movie of William Shakespeare's Hamlet was written by Erica Moulton, PhD candidate in UW Madison’s Department of Communication Arts. Claudius, on the pretext that Hamlet will be endangered by his subjects for the murder of Polonius, sends the prince to England.
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Thinking a concealed spy in his mother's chamber to be the lurking Claudius, he mistakenly kills the meddling counselor, Polonius, father of Ophelia and Laertes. In a visit with his mother, Hamlet expresses his anger and disappointment concerning her swiftly untimed marriage. Seeking revenge, Hamlet recreates the monstrous deed in a play with the help of some traveling actors to torment the conscience of the evil Claudius.
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Hamlet, son of the murdered King, mournful of his father's death and mother's hasty marriage, is confronted by the ghost of the late King who reveals the manner of his murder. Claudius, brother to the King, conniving with the Queen, poisons the monarch and seizes the throne, taking the widowed Gertrude for his bride. William Shakespeare's tale of tragedy of murder and revenge in the royal halls of medieval Denmark.
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